WESTON: I got a suspected fatal shooting of a police officer.

The victim is Detective Inspector Martha Bellamy.

-Charlie Steele?

-WESTON: Don't know her.

It'd be a real shame if what happened to Martha happened to her.

You're gonna go down to the evidence store downstairs.

You're gonna sign out the gun.

I'm gonna call HQ, see if they have a replica.

JONES: You sort the gun?

DRUMMOND: The real gun is at the bottom of the Thames.

Good.

Thank you.

-Jimmy, you all right?

-Mr. Jones, is that your son?

Yes.

ROSCOE: Tell me who it is that's been hurting you, bud.

My uncle.

Fucking tell him now.

I would never do that!

Mo, your brother's a nonce.

-Stan, what did he say?

-DRUMMOND: No, Mo!

ROSCOE: Shit.

The fucking bad man.

-DRUMMOND: No!

-Look after it, Dan.

Aah!

-Have you called it in?

-Yeah, I've called it in, Chief.

-All right, all right.

-Who was up there?

-Who was up there with you?

-Nobody.

He just jumped.

Chief, I saw two people up there.

Look at me!

Look at me!

I could see it in his eyes.

He's fucking lying.

I'm telling you.

There was two people on that roof, not one person.

I don't -- I just... Fuck me.

Remember Sarah Kramer, went missing about eight years ago?

-Yeah.

-An anonymous tip-off to Crimestoppers that her body is buried in the back garden.

So we got C.S.I.s excavating right now.

-Morning, sir.

-DRUMMOND: Morning.

So, definitely got a body.

Um, C.S.I.

found, um... found what they needed using a ground-penetrating radar this morning.

There's definitely a body down there.

-Any I.D.?

-Not as yet, sir.

We don't know how long she's been down there, but we do believe that under the grass, there's concrete, which may well have preserved our body, which bodes really well for forensics, obviously.

What are your thoughts on it being Sarah Kramer from however long ago -- eight years ago?

BROOKS: I think it's a bloody coincidence if it's not.

And this tip-off just happened to know there was a body in this garden.

-Okay.

Let's go and look.

-Yep.

I'm going to appoint Alisha here as acting D.I.

of this investigation.

I've got a lot on in the office.

Okay?

Is that all right?

Yeah.

Okay.

-Yeah.

-Happy?

What's up, sir?

DRUMMOND: Oh, you know.

Want you thinking on your feet.

[ Vehicle door closes ] Hello, Morris.

An anonymous tip about Sarah?

-Yep.

-Really?

-Who from?

-How the fuck do I know?

You're gonna reopen the case?

I'm a detective chief inspector, Mo.

-It's my job.

-You check the scene?

Is there anything on the body that can link us?

-You have to trust me.

-You sure?

'Cause if there is, we're both going down.

Sarah Kramer.

Her body has now been removed from the site.

And our initial postmortem does confirm this is who we're dealing with.

-Is that right?

-WESTON: Yes.

BROOKS: Okay.

So, Sarah Kramer.

21 years old, accountant secretary, last seen leaving her parents' home on the 3rd of March, 2008.

Apparently, she was going to meet some old school friends.

And no one's heard from her since.

Our initial inquiries focused on her dad, Joseph.

Apparently, they rowed all the time.

He didn't approve of her lifestyle choices, whatever that means.

Um, and he couldn't fully account for his movements on the night that she went missing.

But that investigation eventually ran cold.

Jack, any updates for me?

Yes.

Bruising on her neck.

Heavy bruising.

-BROOKS: Okay.

-The ligature marks would suggest that she was strangled, but I'm still awaiting confirmation on that.

Has anyone offered to go down and talk to Joseph Kramer?

You just did.

[ Doorbell ringing ] Hi, there.

My name is Detective Sergeant Jack Weston.

Are you Joseph Kramer?

Is your wife at home?

It might be easier to -- if I can tell both of you.

Uh... Miriam.

I buried her... ...three weeks ago.

I'm sorry to hear that.

Thank you.

I'm sorry to be the one to have to tell you this.

I think we might have found Sarah's body.

Miriam always... always hoped she'd come back.

Felt she would.

Wanted her to be happy wherever she was.

Does the address 54 St. Jonas Street ring any bells for you?

Is that where you found her?

WESTON: I can't give you too much information at this stage.

Uh, did it have... No, it doesn't.

It doesn't, actually.

But did Sarah have any connection with that address?

Listen, I'd -- We'd grown apart as far as... She shared things with her mother.

Okay.

Did you ever get a hint that maybe Sarah was involved romantically with anyone?

Like I said, we'd grown apart.

She'd got -- She'd got in with some bad people.

There were drugs involved, and...

Okay.

Um... JOSEPH: I'm surprised, uh... ...Martha Bellamy hasn't been to see me about this.

Uh, yeah.

Inspector Bellamy passed away.

-Our cases -- -JOSEPH: I can't stand this.

I saw her three weeks ago at Miriam's funeral.

She was there.

I saw... You wouldn't happen to have a kind of a -- give me a list of people who were at Miriam's funeral by any chance?

I know this is a very difficult time for you, and I'm aware of that.

Oh, well.

Just... Just this.

It's a condolences book.

It was gonna be for Sarah.

Would I be able to borrow that just for a few hours?

-Just so I can... -Will you be careful with it?

WESTON: I will look after it.

Yes.

I'll see if I can find an envelope.

Thank you.

Thank you.

Martha did go to the funeral.

What are you reading?

WESTON: The Miriam Kramer condolence book.

Sweet message -- "I hope that you find peace.

I'm sorry that I could not find it for you."

Have a look?

The superintendent has just given me clearance and a Section 8 warrant for Jonas Street, so... Do you think that's necessary?

I think it's worth blowing the budget on, sir, because I have my suspicions that she was actually killed at the property.

So I just want to -- I just want to clean it out.

It's fucking different around here without her.

Don't you think?

Yep.

Sir, just so I can run this past you...

In the hours leading up to Martha Bellamy's death, she was researching the Sarah Kramer missing-person file.

I think -- To give ourselves the best shot at that case, I think we should look into Martha Bellamy's communications to see what all she discovered.

Well, we know, obviously, or we think that Mo Jones is involved in the Martha Bellamy case.

If these two cases are linked, then Mo Jones is probably involved in the Sarah Kramer case.

DRUMMOND: Probably, but you need proof.

-WESTON: Yeah.

-Plenty of proof with Mo.

All right.

That was front desk.

Got an Ed Goddard downstairs.

He was the S.I.O.

on the Kramer case.

Let's go and waste five minutes talking to a drunk.

Come on.

ROSCOE: I'm D.C. Gary Roscoe.

Hi.

Nice to meet you.

I'm afraid I'm gonna have to ask you to move over to the other side of the table, I'm afraid, though.

Old habits.

DRUMMOND: Ed.

-How are you?

-[ Door closes ] Been a while.

We won't keep you long.

I know the pubs are open soon.

What can we do for you?

Thank you.

Ed.

Um... Got an hour or so.

Do you fancy getting a pint?

-Here you are, Ed.

-Oh, thanks.

I'll be straight with you, Ed.

Um, I thought you needed to get something off your chest.

And then you clammed up as soon as the chief walked in.

GODDARD: Yeah.

[ Breathes deeply ] I...

I've got more than a passing interest in this case 'cause I was S.I.O.

originally -- missing person.

-Sarah Kramer?

-Yeah.

She was a snout.

Who was she informing on?

Well, don't know.

I mean, I was just a D.S.

I wasn't privy to that information.

But I did find out that her handler was shagging her.

Guess who her handler was.

-Drummond?

-GODDARD: Ah.

But listen.

Now, be careful 'cause I found out... more than he liked.

And he ruined my career.

And I don't want that to happen to you.

He's a slippery bastard.

All right?

So watch him.

Okay.

Yeah.

Thank you.

DRUMMOND: Li?

BROOKS: Yes, sir?

At the risk of sounding controversial, have you thought about doing one of those press appeals that you like so much?

BROOKS: Yes, sir.

I did think about it.

But I just think she's sort of been eight years off the scene.

It feels a bit of a long shot at the moment.

Well, someone's called Crimestoppers.

So someone knows the truth.

Good morning.

Thank you all for coming.

I shall now read a prepared statement.

"Early this morning, we found the body of Sarah Kramer at 54 St. Jonas Street in East London.

She went missing eight years ago.

I'm making an urgent appeal for information.

If you or anyone you know has a connection to Sarah or the address 54 St. Jonas Street, please come forward and tell us what you know.

We were directed to her body by an anonymous tip.

So I'm making a direct appeal to that person to please come forward again and contact the incident room or Crimestoppers.

Sarah's photograph has been distributed to all relevant news outlets.

Thank you very much."

Gary?

Where have you been?

Oh, I've been checking with some mates in uniform.

See if they know of anything unusual about 54 St. Jonas, -but... -Nothing?

-No.

-Okay.

Brew, guys?

Uh, you made such a horrendous cup of tea the last time, I don't trust you to make one this time.

STEELE: No milk.

You always put milk in it.

-Sorry.

-ROSCOE: Sarge, have a listen.

WESTON: How are your old colleagues?

ROSCOE: [ Chuckles ] Yeah, I knew you'd know that was bullshit.

-Yeah, what's going on?

-Um, look.

Ed Goddard came in for a chat.

All right?

He came in for a reason.

I knew he wanted to tell me something.

But then as soon as Drummond walked in, he just shut down.

Drummond was rude to him.

He practically kicked him out of the station.

Um, so I followed him, took him for a pint.

Sarah Kramer was an informant, and Drummond was her handler.

Um, he also mentioned that they were shagging.

-What?

-Yeah.

Which is sackable, I'm assuming.

Big-time.

And he also claims that he single-handedly ruined his career.

He framed him for something.

Still in the pub?

-Hi.

-GODDARD: Hi.

-How you doing?

-GODDARD: All right.

-How are you?

-I -- Sorry.

My name is Jack.

Detective Sergeant Jack Weston.

-You're Ed Goddard.

Am I right?

-Yeah.

WESTON: I was a young probationer on one of your crime scenes a long time ago.

Um, do you mind if I sit down?

-Yeah.

-Yeah?

You know he ended my career, don't you?

-I heard that from Gary, yeah.

-Yeah.

'Cause I was asking some very uncomfortable questions.

Christmas party.

I'd had a few.

I was driving home.

And he smashed me brake light and tipped off the uniforms.

And they pulled me over.

And I lost me license.

And I lost me job.

Okay.

Do you have any proof of that?

[ Laughing ] Proof?

No.

You can't prove fuck all with him.

If you look at the chain of events...

Right?

So, Sarah goes missing... WESTON: Yeah.

Eight years ago.

Yeah.

And he's been shagging her.

And I start asking uncomfortable questions.

And he breaks me light and loses me me job.

And then he thinks he's safe... 'cause I'm not around, am I?

But you don't think that there's a connection between Sarah Kramer's death and -- and Drummond?

I'd like to help, but look what happened to Martha.

I don't want to end up brown bread, do I?

I don't know.

Maybe she called them to follow up.

-Jack.

-Hey.

STEELE: I've just been looking through Martha's e-mail account.

-Yeah?

-One of the last e-mails that she sent was to the source unit at HQ.

She was asking if Sarah Kramer was an informant.

If that's true, and if she was, then maybe there's a chance that one of the criminals that she was informing on is responsible for her murder.

Yeah, no.

It's definitely worth looking into, Charlie.

See if HQ got back to Martha.

Martha wouldn't have had access to that kind of sensitive information.

That's D.C.I.

or above.

Let me make a call, yeah?

-Okay.

-Good work, Charlie.

Gary, can I have a word outside, please?

Uh, yeah.

Gary, I need to be sure that this conversation's -gonna stay between us.

-Yeah, of course, Sarge.

Of course.

I went down to the pub, and I saw Ed.

He -- Okay, he reckons that Drummond has something to do with Sarah Kramer's death.

Fuck.

Do you believe him?

Honestly, a lot of what he said... -Made sense.

-...just checked out.

And that's been kind of freaking me out a little bit.

The night that Stan went off the roof... WESTON: Uh-huh.

-Yeah?

-[ Sighs ] I looked up and saw two people on the roof.

I was on the floor when Stan went over.

The chief comes down.

I asked him.

He said he was up there by himself and Stan threw himself off.

-I saw two people there.

-Mo was on top of the roof when myself, Drummond, and Stan were up there, as well, and Mo threw Stan off the roof.

-Drummond told me.

-[ Scoffs ] He said I had to keep quiet about it because Mo had threatened to kill, attack, whatever, do something fucking awful to Lucy unless we kept quiet about it.

Who threatened you?

Mo, was it?

No.

Mo threatened Lucy.

-But who told you?

-Drummond told me that.

Do you believe him?

Let's keep pressing on.

Come on in.

Shut the door, Gary.

All right, I've just had clearance from upstairs regarding the Sarah Kramer informant inquiry you were talking about earlier that Martha was pursuing.

And you're right -- She was a police source, and I was her handler.

Okay?

I'm sorry I couldn't tell you, let you know sooner.

But I didn't have the authorization.

I needed clearance from upstairs.

Hence Li being in charge of the case.

Now, when you're investigating this line of inquiry, you're more than likely to come up against a fair amount of bullshit... 'cause back then, the rumor mill was rife -- I was having an affair with Sarah Kramer.

Obviously, I was spending a lot of time with her.

And people put 2 and 2 together and got 11.

Okay?

What we do need to focus on, what is real, is who her key target was back then... -...Mo Jones.

-WESTON: Jesus Christ.

DRUMMOND: Right?

She was having a relationship with Mo.

I was recruiting her, and we were getting somewhere.

We were getting great intel on Mo's movements.

And then she disappeared.

All right?

We couldn't pin anything on him.

We did investigate him at the time, but he had a cast-iron alibi.

It was very, very frustrating.

And obviously at the time, there was no crime scene, -so no forensics.

-DRUMMOND: Correct.

But that was in the past.

Now we have a new crime scene we found this morning which is potentially full of evidence.

Give us an opportunity to nail this bastard to the mast once and for all for Sarah Kramer's murder and Martha's murder.

So, you two... see if you can find any connection between Mo and 54 St. Jonas Street.

You guys bring him in.

Let's have a chat with him about Sarah, okay?

WESTON: Absolutely.

I'm sorry I couldn't tell you guys earlier, but you understand, right?

-WESTON: Yeah.

-Thank you.

-Thank you.

-Thank you for filling us in.

Thanks, guys.

[ Reading indistinctly ] [ Sighs ] What did you think of his little revelation -about Sarah and Mo?

-ROSCOE: [ Scoffs ] I think he's full of surprises... -Yeah.

-...and bullshit.

I've brought Jack up to speed.

STEELE: Have you?

What did he say?

He's on the same page.

Sarah Kramer.

-Recognize the name?

-JONES: Yeah, yeah.

I gave a statement about this years ago.

She was discovered buried in the garden of 54 St. Jonas Street.

Awful.

Awful.

Have you previously or currently got any connections to that address?

No.

-No?

-No.

Okay.

Mr. Jones, would you be willing to give us a DNA sample -so that we could... -Absolutely.

Of course.

-...we could eliminate you.

-Absolutely.

'Cause you know I always cooperate with the police.

I also want to inform you that Sarah was strangled to death.

-[ Clicks tongue ] -Her body preserved in concrete.

-Oh, God's truth!

-You know anything about that?

Absolutely nothing.

No.

My statement's exactly the same as it was when it happened, -So... -Statement?

-This statement?

-Yeah.

You were questioned back when she went missing.

-That's correct.

Yeah.

-You provided us with an alibi.

I did, indeed.

In March 2008.

Stan's alibi.

Yep.

R.I.P.

"I, Stan Turner, have been asked to corroborate my brother, Morris Jones'" -- you -- "movements on the night of the 3rd of March, 2008.

I can confirm that I was with my brother all night."

Why is he talking about that?

Why is he doing this?

Are you trying to wind me up?

"We watched TV."

-What?

No.

I'm reading -- -Are you trying to wind me up?

I'm reading your brother's alibi.

The biggest shame of this all is that we don't have Stan around anymore -to corroborate the alibi.

-Don't you fucking... WESTON: When push comes to shove, he's not here anymore.

-That is disgusting.

-You know?

JONES: Have you got no respect?

My brother has just fucking died.

WESTON: Died?

I thought he was killed.

-What did you just say?

-Mr. Jones, we are trying -to piece back from... -JONES: What did you just say?

...when Sarah went missing.

JONES: I want to put in a complaint about you.

I think we're done here.

JONES: You are well out of order, mate.

Well out of order.

And you know it.

-What?

-What are you playing at, Jack?

-What are you talking about?

-What are you playing at?

-Chill out.

-What was that about?

I'm just asking him some questions.

-You're taunting him.

-Hang on a second, okay?

Look, I know -- I know he's your pal, okay?

I think your boy Drummond is wrapped up in this in some way.

-[ Sighs ] -I know he knows more about Sarah Kramer's case than he's letting on.

And I think he's involved in something with Mo Jones.

So I'm gonna push all his buttons to see what I can get out of him.

-Don't, don't.

-Whoa.

You're not gonna push any fucking buttons, Jack.

Okay, you're right.

You're right.

He's a fucking snake.

I've been investigating Drummond for years now.

-What?

-[ Sighs ] I need you -- I'm so close.

I am so close.

But your cowboy antics are gonna fuck this whole thing up.

So I need you to play by the rules and trust me.

Okay?

We clear?

You can't just drop a bombshell on me like that and just not expect any questions.

What the fuck is going on downstairs?

Jack, listen, I'm really not at liberty to get into this with you.

But if you've got direct questions that need clearing up, -then ask me.

I'll do my best.

-Ed Goddard.

I spoke to Ed.

Ed said that Sarah Kramer had an affair with Drummond.

Is that true?

Yeah, I believe so.

Fuck's sake.

Um, he said also that Drummond set him up for a drink-driving charge.

-True?

-I also believe that to be true.

But Drummond's really covered himself on that one.

Okay.

He said Drummond killed Sarah Kramer.

BROOKS: [ Sighs ] Well, that's what I'm trying to get to the bottom of, okay?

We done?

Uh, bit of a breakthrough.

Forensics.

They've turned up a silk scarf at the burial site.

It was embedded in the concrete with the body.

And there is a strong suspicion that it was actually used to strangle Sarah.

-And that's... -It's evidence.

It's hard evidence.

BROOKS: ...not all they had to report.

They found a sample over at the house.

They've had it tested.

We have Mo's DNA on the skirting board.

It's a little degraded, suggesting it's been there for a while.

Great.

That's fucking great news.

BROOKS: [ Laughs ] I thought you'd like that, sir.

Is this -- Okay, we know Mo was in the house.

We still don't know who killed Sarah.

Oh, come on, Jack.

Stop being such a fucking defeatist... Come on.

WESTON: No, I'm just saying the facts.

We found some blood on the skirting boards.

BROOKS: Couple more facts for you guys.

Sarah was 12 weeks pregnant when she was killed.

-STEELE: [ Groans ] -BROOKS: Yeah.

Okay.

I didn't know that.

I didn't know that.

-Really?

-BROOKS: Yeah.

-Really?

-Yeah.

So, um... DRUMMOND: I had no idea.

Any way of finding out who the father is?

The fetus' DNA is being tested as we speak.

-ROSCOE: Great.

-May be our guy.

Um, uh, okay.

Well, let me know about it as soon as you get it.

-BROOKS: Of course, sir.

-We have his DNA.

We have his DNA all over the house, which is great.

So, I know that Drummond has been after Mo for years.

Yet the D.C.I.

watches him push his brother off the top of a car park, which is definitely a fucking crime called murder, by the way, and does nothing.

I think that we need to go to the super.

Because we can't -- What else are we gonna do?

Do you want to be directing fucking traffic for the next 30 years?

Do you?

And I feel like the two of you need to put down your statements in writing before this goes any further.

It will just put you in the best position possible.

Yeah, I hear you.

But I'm a fucking trainee detective.

I can't go over the D.C.I.

What do you think?

You know that I know you're right.

I'm in a very tricky position.

I'm already complicit in what happened on top of the car park.

He's got me bent over barrel for something else, as well, I think.

-And I just... -What?

[ Sighs ] Stan demanded, okay, that I take the gun that Stan used to kill Martha out of the evidence store.

Oh, fuck.

WESTON: I didn't know what to do, okay?

Charlie, he threatened you.

He threatened you.

He brought me to your house.

He said, "This is what she does on Tuesday.

This is what she does on Thursday.

This is what she does on Sunday."

He said he was gonna go after you if I didn't help him out.

I didn't know what to do.

Why would you not fucking tell me that?!

WESTON: I didn't know what to do.

Charlie, hang on.

I didn't know what to fucking do.

I went to Drummond, asked him for help.

So we decided to give him a replica of the gun.

So I went down to the evidence store.

I signed out the original gun.

We sent it to HQ for forensics.

And we gave a replica of the gun to Stan.

STEELE: Wait.

Can we just all agree that at this point, we don't know where the weapon that was used to kill Martha is?

-WESTON: It's in HQ.

-Because it's not -- [ Sighs ] Is it?

-Yes.

-Who did you talk to there?

Who sent it there?

Have you spoken to anyone?

Like, the two of you just decided on this little operation, and now no one knows where it is.

Because, you remember, I tried to call them and he took the fucking phone out of my hand.

You've spoken to no one.

You have no idea where it is.

Fuck.

What the fuck do we do now?

Alisha tells us what to do next.

What?

Why?

Alisha is conducting an internal investigation into Drummond.

She's been on it for -- She says years.

Are you fucking kidding me?

-We can trust her, yeah?

-I don't know, Gary.

I don't know what else we can do.

I don't know what other choice we have.

I wanted to say that I don't think you should have done what you did.

-WESTON: [ Scoffs ] -But I totally appreciate that you put your fucking career on the line because you thought I was in danger.

Just doing my job, Charlie.

STEELE: Is there anything else you haven't told me?

'Cause I feel like we've just been holding a lot back from each other.

And that doesn't make me feel more comfortable.

[ Sighs ] Um, okay.

As it stands, the relationship between Drummond and Sarah Kramer, -the affair... -STEELE: Mm.

Ed Goddard thinks that's true.

Alisha thinks that's true.

Oh.

Pear-faced fucking liar.

So that whole thing in his office was what?

Just, like, a preemptive strike.

Okay.

When Alisha said that there was a fetus inside Sarah Kramer, I mean, it has to be Drummond's.

Timing, everything made sense.

It's his baby.

That is such a strong motive for murder.

If that had come out, he would have definitely lost his job.

He would probably have lost his wife, his family.

Fuck.

Oh, I can't give you any more answers.

I've told you -- I made the statement years ago.

Everything stays the same.

I can't help you.

How do you account for the fact that your DNA was found at 54 St. Jonas Street?

JONES: I-I can't.

I mean, I can only -- I can only think something to do with the club.

You know, she's picked it up putting a credit card through the machine or picking up a glass with my DNA.

-Any other reason?

-I can't think of anything.

All right, listen.

I think we need a little break here.

You said you were cleaning it up.

Why didn't you tell me she was pregnant?

-What?

-Why didn't you tell me she was pregnant when she died?

The postmortem revealed she was pregnant when she was killed, Mo.

I didn't know that.

Well, what if they find out it's yours?

That's your job over.

And your marriage.

I think it's much more likely to be yours.

I think we both know that, don't we?

So I suggest you get back in that -- I could leave right now.

I'm not even under arrest!

You could leave.

Or it might be more helpful to your case getting your fucking ass out of jail if you get back in there and give a good reason why you were at that house in the first place, all right?

Maybe a one-night stand?

Okay, Mr. Jones, just to be clear, I'm going to read back your statement in your own words.

If you're happy with everything, I'll ask you to sign it.

"I met Sarah Kramer in a nightclub.

We hit it off.

And we went back to the place where she was living.

We slept together the once.

And I never saw her again."

Is that it?

Is there anything else you'd like to add?

No.

That's it.

BROOKS: Okay.

Can you sign here and here?

Sir?

DRUMMOND: Yeah?

Lab results are in for the fetal DNA.

DRUMMOND: Uh-huh.

BROOKS: And they conclude that Mr. Morris Jones is the father of Sarah's unborn child.

That's good.

That's good.

Yep.

That alone, clearly, is not conclusive evidence that he killed her, but they are 99.9% sure that that scarf was used to strangle her.

And that also is riddled with Mr. Jones' DNA.

DRUMMOND: We have fucking got him.

-WESTON: Yeah, I think so.

-Yes?

Yes?

Can we have some smiles, please?

Jesus Christ.

Come on!

-WESTON: Yeah.

-BROOKS: Yeah.

It's a result.

It's a result, sir.

I'm gonna go down and present this evidence to him and arrest him.

-Would you like to join me?

-No, no, no, no, no.

That's a bad idea.

You go.

You go.

If I go, it's just gonna wind him up, right?

He's gonna do everything he can to try and derail this investigation, okay?

He's gonna start flinging all sorts of shit around.

It's not good idea if I go.

I'm gonna take a stand back.

You two go.

[ Sighs ] Can I just say, I really was not expecting that.

Slimy fucker.

Did you see him shit himself before the results came out?

BROOKS: I was so convinced it was him!

Fuck!

[ Sighs ] Okay, Mr. Jones.

I need to inform you that we are now talking to you in connection with the murder of Sarah Kramer.

You have declined the presence of a solicitor.

If at any point throughout the interview you wish to change your mind, just let us know.

We'll sort that out for you.

Okay?

-Is that clear?

-She asked you a question.

Yes or no?

-JONES: Yeah.

-Great.

WESTON: Um, I'd like to know a little bit about the relationship between yourself and Sarah Kramer.

Sarah Kramer, Mr. Jones.

Oh, we had a one-night stand.

WESTON: One-night stand.

When we exhumed her body, there was a fetus in her stomach.

A fetus.

JONES: So?

Well, I just thought you'd be interested to know that you were the father.

It's just funny.

Well, not funny.

I mean, it's just difficult, I would have thought, to get pregnant on a one-night stand.

I'm just saying the odds are slightly unlikely that it was just a one-night stand.

BROOKS: Mr. Jones, if you'd like to take a look at this fetching item of clothing.

Does that look familiar to you at all?

-JONES: No.

-No?

You may not have seen it for quite a while.

So take a harder look.

JONES: I don't recognize it.

Well, I can inform you that this scarf was found embedded in the cement next to Sarah's body.

The good thing about that is that the cement has preserved the DNA found on the scarf.

I think you'd really like to know whose DNA we found on the scarf, Mr. Jones.

It was yours and Sarah's.

Then our pathologist came back with a report -- pretty conclusive report -- saying that he thinks beyond reasonable doubt that this item of clothing was used to strangle Sarah to death.

Where's Drummond?

You all right?

How are we getting on?

He's in with his solicitor.

Yeah, I bet he is.

He's looking at 16 years.

-What's wrong?

-BROOKS: I just...

I'm really struggling to square this in my mind.

Mo Jones, a career criminal, buries the murder weapon next to the body in forensically friendly cement.

-It just doesn't... -Mo Jones, a career criminal, buries a body in cement and hopes that no one ever finds it again.

They all make mistakes in the end.

And that's how we catch them.

You're doing a great job.

He will fold.

We've got him.

Yeah?

Do you want to come in with us?

I don't think you need me in there.

Do you?

WESTON: Just if you want to be the guy to take him down.

I think you two should be the people that take him down.

-Let me know, yeah?

-BROOKS: Yes, sir.

"I, Morris Jones, was in a sexual relationship with a woman called Sarah Kramer for a few months in 2008.

At the time of her death, Sarah was pregnant, but had not told me this was the case.

I've no idea if the child was mine.

On the night of her death... on the 3rd of March, 2008, Sarah and I argued.

I had recently discovered that she was cheating on me with another man.

In a fit of rage, I strangled Sarah to death.

However, I did not bury Sarah's body.

I immediately regretted what I did and have left... have felt remorse for Sarah's death ever since."

Wow.

Mr. Jones, compelling stuff.

Feel better?

You say you didn't bury her body.

-Who did?

-I don't know.

BROOKS: You kill her.

And somebody buries her body in cement.

And you don't know who that is?

Why don't you go talk to your boss, Drummond?

Yeah?

Do you believe him?

Makes sense.

What do we do?

Um, we follow procedure, Jack.

Tell Drummond.

DRUMMOND: Did he cop?

-Come in.

Did he cop?

-Oh, yeah.

-BROOKS: We got a confession.

-You got a confession?

BROOKS: A nice tidy statement saying that he killed Sarah.

-Just like that?

-BROOKS: Just like that, sir.

-Brilliant.

That's great.

-BROOKS: Mm.

Says that he didn't bury her, though.

-DRUMMOND: Okay.

-Mm.

DRUMMOND: Weird.

He says someone else did that.

-He says you did.

-DRUMMOND: He says I did it?

-Yeah.

-DRUMMOND: Wow.

-That's interesting.

-WESTON: Yeah.

Well, CPS will never see through that.

-WESTON: I know.

-All right.

Well done.

This is great news.

-BROOKS: Yeah.

-Let me get a charge from CPS.

Then we can go and make it all official.

BROOKS: Great.

Leave that with you, sir?

DRUMMOND: Yeah.

Well done, guys.

Can't believe we got a confession so easily.

Yeah.

It's not a... DRUMMOND: D.C.I.

Drummond.

Thanks, guys.

I've been watching that fucker for years, and that was his best performance yet.

He didn't even flinch, Jack.

Drummond's behind this whole operation.

What are you talking about?

Mo just said he killed her.

Flash back eight years.

-Okay?

-Okay.

Mo has an element of influence over Drummond and convinces Drummond to get rid of Sarah Kramer's body.

He's a serving officer at the time.

Exactly.

He's forensically aware.

Drummond knows that at some point, this case could come back to bite him in the ass.

So when he's burying Sarah Kramer's body, he throws the murder weapon in on top of it.

-Okay.

-Mo, on top of the car park, throws Stan over the roof, thinks he's invincible.

Thinks he's never gonna be caught for anything.

Drummond says, "That's the last straw."

Drummond rings Crimestoppers with the anonymous tip about where Sarah Kramer's body is.

We go.

We find the body.

And Drummond sits back, watches the whole thing play out just as he planned.

Mo's in custody now for Sarah Kramer's murder.

Drummond's never gonna get caught.

We think it's over 'cause we have Mo, but...

I've got one more idea.

I've got one more thing I have to look into.

Hi.

Chrissy.

-Hi, Alisha.

Hi.

-Hi.

I'm really sorry to turn up unannounced.

-Is Daniel with you?

-No, he's not.

He's actually back at the office.

He's kind of snowed under.

But, um, just wondering if you actually had a few minutes.

Just wanted to talk to you about a few things.

-Yeah.

Sure.

Come in.

-Yeah?

Okay, cool.

Thanks.

I saw you on the appeal for Sarah Kramer.

-The... -Oh, yeah.

Yeah.

It's really sad.

Chrissy, that's actually what I wanted to talk to you about.

Um, I know it was a long time ago, but I'd just like to, uh, revisit Daniel's exact movements of the night -when Sarah went missing.

-Why?

BROOKS: I'm just trying to piece together exactly what happened.

We're kind of working backwards now that we've found her body.

Um, it would just be helpful for our investigation, getting a full picture.

Okay.

Um... Daniel was with me.

I remember where we were because it was, uh, a country pub we'd gone to for the night because we needed to spend some time together.

He went back to London for a big case halfway through, which was quite shit, seeing as we were supposed to be spending time together.

Uh...

When he got back, he was being weird.

I...

I didn't believe he'd been at this case because he does this thing when he lies.

He smiles.

And I-I know.

Did you ask him where he'd been?

-Did you press him?

-Yeah.

He shut down on me.

Anything to say?

You're fucked.

Okay.

Take him away.

-Where's Li?

-Li is... She's got the night off.

She's on a date or something.

Okay, take it all.

Go to the pub.

Put it behind the bar.

Drink it.

Drink it all.

Get me a large one, yeah?

Are you coming out with us or... We can wait for you.

I am.

I'm just got to go and tell Joseph, okay?

-Break the news to him.

-Do you know what?

I need to go back and talk to Joseph.

I have that book of condolences.

-No, uh... -I'll get my coat.

-I'd like to do it.

-Oh, yeah.

-I'll meet you in the car.

-Thank you.

[ Door opens ] Mr. Kramer.

Joseph.

Um, this is my colleague, Detective Chief Inspector Daniel Drummond.

I was wondering if we could come in.

-This is Joseph Kramer.

-Pleased to meet you, Joseph.

How do you do?

-Come in.

-Yeah?

Yeah?

Jos-- Joseph.

I can call you Joseph?

-Yeah.

-DRUMMOND: Yeah.

We've arrested someone for Sarah's murder -- a Morris Jones, otherwise known as Mo to the police.

He's a notorious villain.

JOSEPH: [ Voice breaking ] What?

DRUMMOND: There's also something else we need you to know.

And I'd prefer you heard it from us rather than reading it in a local newspaper or perhaps hearing about it in court.

Um, ahem, Sarah was -- Sarah was pregnant when she died with Mo's baby.

Oh, God!

DRUMMOND: Rest assured, we'll do everything we can to make sure he spends as much time as possible in prison.

JOSEPH: Well, he can fucking rot there.

Our sentiments exactly, Joseph.

JOSEPH: [ Sighs ] We also wanted to return the book of condolences -you kindly leant to us.

-Oh, yes.

WESTON: Thank you.

It was very helpful.

Thank you.

Okay.

You take care.

You know the gun that you got me to give Stan?

Yeah.

WESTON: Obviously, that was the replica, and the original's at HQ.

What's brought all this up, Jack?

Just, I know that Mo is gonna be slinging shit around left, right, and center.

I don't want to get caught in the cross fire.

DRUMMOND: You don't have to worry about it, Jack.

It's taken care of.

There's a conversation that sticks out in my mind.

Um, we were at dinner.

I seem to remember you asking a lot of questions at the time.

It was around the time that Sarah went missing.

I was worried that he was having an affair with her.

I mean, that's why I asked all those questions.

I... [Chuckles] BROOKS: I'm sorry to make you revisit the time.

I feel it's only right to tell you, Chrissy, that actually, I, uh, think your suspicions were pretty valid.

He was having an affair with Sarah.

You okay?

CHRISSY: I told you -- I was being paranoid around that time.

I just kept a load of stuff.

BROOKS: Chrissy, what is this?

CHRISSY: That's what he was wearing that night.

I was just being paranoid.

I didn't think it was anything sinister.

No, no.

No, listen.

Listen, Chrissy.

You've absolutely done the right thing.

I'm gonna take this down to the lab and get it fast-tracked.

And you just wait for my call.

Okay?

What do I -- What do I do if he, uh... You don't say anything.

Do you understand me?

Do not say anything until I call you.

-Okay?

-Okay.

I'm sorry.

Bye.

[ Sighs ] [ Cellphone buzzes ] Hi.

I was just about to call you.

You okay?

I have something.

And I think this is it.

-Jack, any sign of Li?

-No.

She didn't pick up.

So maybe -- I don't know -- she got lucky or... -DRUMMOND: Do you want a drink?

-Eh, I'm good.

Thanks.

-DRUMMOND: Sure?

-Yeah.

DRUMMOND: All right, I think all we've achieved this week deserves a toast To an honest day's work, right?

Cheers.

MAN: Cheers.

Cheers.

-STEELE: Cheers, guys.

-MAN: Cheers.

Oh, God.

Hello?

Miss, are you okay?

Listen, can you hear me?

Can you hear me?

Aah!

Aah!

Do you know what happened to Alisha last night?

-DRUMMOND: What?

-She was attacked last night.

-What?

-DRUMMOND: She was what?

Clear the board of the Sarah Kramer case.

I'm keeping that on the fucking board.

Sorry.

DRUMMOND: I'm going to ask you again, Chrissy.

You have to tell me -- What was in those bags?

Enough.

Don't give him the satisfaction.

You're gonna tell me to leave my own office?

I don't think you are.

[ Indistinct shouting ] -Whoa, whoa, whoa, whoa, whoa!

-Lads!